![]() We used a 1964 Gibson Thunderbird bass and an Ovation Magnum II, which is one of the only good things Ovation has ever done as a company, and they stopped doing it. What different guitars, amps, effects and various instruments were used for the recording of The Moment You Realize You’re Going to Fall? In a lot of ways, it’s almost like the music is just the background buzz to what’s happening between you and the audience in the room. When playing any song in front of an audience, you’re watching them experience it, and it changes. We could be performing some of the first songs we’ve ever written together in front of an audience and have them react, and they’re still like, “Wow.” I’m sick of the song, but they make me not sick of it, you know? It’s like watching one of your favorite movies with someone who has never seen it before. To have people react to a song and just know it is so flooring. ![]() Now they are just getting further and further apart. The same goes for Limp Bizkit if I write something that is a bit more poppy and commercial sounding. I don’t think it’s hard I think the first record, Cruel Melody, overlapped a bit with Limp Bizkit, but now if I write something that’s more experimental, I’ll pitch it to Black Light. ![]() That’s the heart of it, and our albums get more and more experimental all the time. It’s still born out of despair and emotion. Our shows are definitely fun, and we are light-hearted about having a good time as far as when we play and put 100 percent into all of our shows. I won’t say Black Light is completely a mourning experience. Like if I was with a bunch of people in Manhattan that wanted to go bar-hopping, it’s something I would normally do with Limp Bizkit, but it’s more of a light-hearted good time, whereas with Black Like Burns it’s more so like opening my chest up and vomiting out all of my emotions. The feeling of it is more of a party and is, musically, how I’d spend my Saturday night. I feel like Limp Bizkit is going in a direction that allows me to access some wild and experimental elements of myself, but it is primarily aggressive hip-hop/rock/pop music. Not really, especially because they’re progressing further and further away from each other all the time. I’ve always wanted to be a songwriter and a storyteller and somebody who conveys a feeling to the listener or the viewer.Īs Black Light Burns and Limp Bizkit progress, do you find it more difficult to keep stylistic differences separate? I’m not a shredder, and I’ve never aspired to be a virtuoso player. ![]() I’m a guitar player, and I attack the guitar in a certain way that it not fully unique to me, but it’s more unique that some other people. I’ve never really been schooled in music theory. I don’t care how far is from BLB, but still this is not avarage music, it’s more a sound journey.They kind of go back and forth and cross over into each other. Please make a good BLB burns album again. So download the film and you’ll see why there are no ‘song’ It’s an alternative OST to ‘The Holy Mountain’ made in 1973. Soundtrack in this case being ambient music to go with the film not a list of popular songs to sell a movie with. The album will consist of 7 instrumental tracks, three full band completed songs with vocals, and a remastered/remixed version of ‘It Rapes All in Its Path’, their contribution to the soundtrack of Underworld: Awakening. It serves as an alternate soundtrack to the 1973 film The Holy Mountain by Alejandro Jodorowsky. Don´t bother to listen to it….only one track is what you can call: a song.Īlex, realize what this album is supposed to be.
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